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Moonlight, the Complete Series

CoverMoonlight is one of those phenomena you hear about among cult cadres of SFF fans bemoaning the cancellation of a promising show before its time. I finally got my hands on the DVDs the sole season of Moonlight a few weeks back, and while it's no <a href="http://arwz.com/zinereviewRYH1.php">Firefly</a>, there is some merit to the cult complaints. Still, I think this series is ultimately plagued by the question:

"Do we really need another vampire romance?"

Further, do we need another rehashing of the vampire mythos? Another spin on vampire lore with a slightly different set of rules? Another on screen telling of the pathos of the relationship between an immortal and a human? The answer is that unless it also brings something spiffy and new to the table, then no. The genius and vision of Joss Whedon's <a href="http://arwz.com/zinereviewVIO2.php">Buffy</a>? Yes. The charm and irreverence of <a href="http://arwz.com/blog1/2010/07/dead_in_the_family_by_charlain_1.php">Sookie Stackhouse</a> and <a href="http://arwz.com/blog1/2010/08/true_blood_season_two.php">Trueblood</a>? Yes. Moonlight? Er... probably not.

It's unfortunate, though, because this series had a lot to recommend it. The vampire mythos it creates is interesting, just not revolutionary. The writing is good, just not sparklingly fantastic. The actors are appealing, if a bit too "WB" (despite being on CBS!). If fact, this series was almost completely recast, save for leading man and apparently fast track up-and-comer Alex O'Loughlin, who seems to have been in ever new series on network television in the last three years (forgive a gal for some hyberbole?), in order to give the show that "young and cute" appeal.

Leading man O'Loughlin is probably the foremost strength of this show. Not only does he have the young and the cute, but he has gravity and complexity as well as some lighter and comedic appeal. I can see why he's popping up everywhere in television pilots, because he has a lot of Hollywood star cred. While this show may suffer from not being "different enough" from other vampire fiction, it's not without novelty in its storytelling. O'Loughlin's character, Mick, has a couple of standout storylines. One is his quest as an "anti-vampire vampire" to find a cure for vampirism when the mysterious reappearance of his thought-dead vampire wife suggests that it may be possible. Vampires longing to be human, of course, are nothing new (ahem... Angel), but the way this storyline plays out with the ex-wife, the new girlfriend and his passionate resentment against being turned (in a mythos where the biggest downsides to being a vampire are not being able to eat real food and having to sleep in a freezer) makes the plot intriguing and refreshingly character-centered. Mick's anti-vampire sentiments reach a particularly dramatic pitch when he refuses to turn a series regular in order to save his life. Another highlight is when Mick discovers he may have fathered a son (before he was turned in the 1950's) and finds himself confronted by his missed humanity and a middle-aged son in a storyline that is peculiarly touching.

It's not difficult to see why this show was canceled. A rather ordinary rehash of the tried and true vampire storyline wasn't bound to survive very long on CBS. Maybe it would have had a chance on the WB or another secondary network, and maybe it would have grown into something more unique given some time. It was entertaining, well enough written and acted that there would have been plenty of room to grow, but just not enough of a seed to keep general public watching.

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