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Violanthe
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Joined: 24 Jul 2003
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PostStart with dialog?

Posted: Tue Jun 02, 2009 1:05 pm
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Do you ever start a new section or chapter with a line of dialog? What are the pros and cons of doing so?
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Violet "Violanthe" Kane
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clanravencub
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Joined: 16 Apr 2009
Posts: 7
Location: Cambridge, England

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Posted: Wed Jun 03, 2009 10:27 am
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I do. I like starting straight into action of some variety. It throws the reader a bit. Which is the downside. Not allowing the reader grow comfortable with the piece if over used. In that way if the reader feels too out of sorts and can't get into it you break your own flow.

Conversation like direct action is different, catches the attention and can be, in the end of the day, less boring because it simply doesn't happen that often.
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Queen Of The Abyss
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Joined: 04 Apr 2006
Posts: 450
Location: Saskatchewan

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Posted: Wed Dec 23, 2009 10:38 pm
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I can't say I've done it very often myself, but I do enjoy reading a section that begins with dialogue.

As human beings, I think, most of our social interactions begin with dialogue. So it can get the story rolling quite well.

The only con I can see is if the conversation goes on too long without adding anything to the story line.
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Coroner: I sometimes read them.
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mephisto
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Joined: 29 Mar 2006
Posts: 21
Location: Sol-3, USA, CA, Sacramento

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Posted: Tue Sep 07, 2010 11:01 am
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Hi Vio,

You were always good at coming up with great questions.

In reference to Queen's "con" (or is it Qota for short?) the writing really shouldn't have anything that doesn't forward the story line. (And before you bring up characterization, Vio, I believe that characterization does forward the story line - you can't really have a story without characters.)

The goal at the beginning of a chapter, especially the first one, is to pull the reader in. There are a number of ways to do that. A few options are: 1) you can plunge the reader into an action sequence, 2) you can start an intruguing narrative, and 3) you can start with an intersting and revealing dialog (not too revealing though, just enough for orientation and to raise intersting questions.)

Of course, equally important is how to end a chapter in a way that ensures the reader will be interested in continuing. I know I am not the only one here who has read late into the night, vowing to stop at the end of the chapter to sleep but the author simply wouldn't allow it and you had to keep reading.

Who's got some input on that one?

Meph
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